Biography

The scene record is broad and unhedged. Her boy/girl work covers blowjobs, vaginal, anal, double penetration and creampies, the full hardcore menu rather than a specialty. With women she stayed softer: softcore, with dildos doing most of the work. Solo material is masturbation, without toys in the listing. The specials are where the range shows: bondage, bukkake and watersports, three categories that ask very different things of a performer and rarely sit on the same CV. That spread is typical of the AV idol system, which put its stars through everything and expected them to look composed while doing it.

What makes the career legible is its shape. Eight years, one window that closes, no comeback on record, and a filmography that ran through a system built on volume. She was an AV idol in the precise Japanese sense: a contract performer whose name sold the video before anyone asked who directed it. That system needed faces people recognised, and it paid them in volume rather than in time. The measurements, the aliases, the scene categories and the years are gathered here in six languages, the same record in each, for readers who came for the work.